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Providing a unique experience, the program goes beyond technique, with details, concepts and fundamentals.
Although they are basic attacks taught in the first lessons one might learn in a BJJ school, the moves analyzed in this module (helmed by black-belt Leandro Slaib) require several years of practice for a fighter to hone their more sophisticated adjustments.
A change in the angle of the hip positioning, or anticipating a defensive motion by one's opponent, or even the ability to articulate the move with a repertoire of double or triple attacks make triangles, armlocks, omoplatas and more into unstoppable submissions.
The best illustration of this is the jiu-jitsu of Roger Gracie, who has a simple game with a base made up of moves that are taught to beginners. The big difference is that the adjustments and the execution are practically perfect.
It is with this base -- of simple moves executed well -- that Leandro Slaib shows us multiple adjustments that will improve your game.
Take in every detail in order not to just "know the moves," but also master the finishing details of these submissions. There is an enormous distance between the moment we lock a move in place and the moment our opponent taps out. This module's mission is to build a shortcut between these two poles and optimize your BJJ. Enjoy.
Born on Aug. 14, 1981, Leandro Slaib is a BJJ teacher and a competitor. In 2002 he became a brown-belt world champion. A student under Hélio Soneca, Slaib is a half-guard specialist.
Many people have an easy time locking the omoplata in place, but can't proceed to finishing with it. To solve this, Leandro Slaib reveals multiple adjustment details to make your omoplata unstoppable. Note the importance of stretching your legs quickly so that your opponent can't posture and escape.
Finishing the omoplata becomes difficult when your opponent manages to raise their head and posture. But Leandro Slaib shows here how you must reposition yourself and achieve the submission. Note that he controls his opponent's free hand, passing the leg under the passer's armpit. If your opponent raises their leg, you can use it as a support point to crank up the pressure
While your opponent worries about defending the arm being attacked by the omoplata, they tend to forget about the other arm, making it vulnerable to a sneaky armbar. Note that Leandro Slaib worries about controlling the sleeve of his opponent's free arm. Another important detail: Slaib posts his hand, gaining a support point for projecting his body over his opponent and ending the motion with the armbar locked in place.
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